Saturday, November 21, 2009
My Work
About Moi
My first musical memory was being set on a stage by my father with three elderly gentlemen at a local Oktoberfest and singing traditional German songs in English. I liked it, but I was also aware of being used for the “awww there is a kid singing” factor. Very early I learned that some people feel a need to use until they finally get to refuse you. And that was only one experience. I can’t imagine being pressured by parents at that young of an age to perform regularly. You have to develop. I refused ever to do anything like that again. My family was slightly annoyed, but I always had a very strong will. Or, I should say, I grew into one.
This anecdote also made me realize that I was from a working class family. The fancy dresses and outfits of some compared to mine was very obvious. I also noticed this in church as a child, and resented it...until the day my parents stopped attending. That became my focus, and it still is....poverty, the exploiter and exploited. Detroit and its surrounding areas are bleak studies in this contrast. I will always remember the day a little girl was leaving our school and I asked her if we could remain friends. She smiled, such a very cruel smile, and said, enunciating every word: "Look what you are wearing and look at me. We will never see each other again." Of course she was right. But please know one thing: I make music not to depress people, since life itself is depressing enough. I want to share my thoughts and I often love to dream of different worlds. And like everyone, it amuses me to try something different, like with "Black Widow", and many other songs. I am just saying I feel very close to that happy/sad posture of Brecht and Weill.
My music is not perfectly produced. My voice is strange. Sometimes I myself wince at an old song. But my only goal is that you know, I mean know the words I am singing. Literally and figuratively. My favorite film genre is Italian realism. I want to capture in words that look on that child's face when his father steals the bicycle in "The Bicycle Thief". Some times it works, other times not so much. But you live and learn.
I know music is just numbers to everyone except the few. It appears to be very cruel, too. So I stay
where I am, and think of that line from "A Christmas Carol": "Business? “Mankind should have been my business!”
I must feel something in order to enjoy a song. And I mean to really love a song; like Tim Buckley’s “I Never Asked to Be Your Mountain”…..something that makes you tear up…
You can’t play that in a damn club, but the days of club dance hits being the only songs focused on are soon to be over.
I think this is my best album ever, but everyone says that don't they? The disparity between wealth and working class comes into this as well...I have played with sound my entire life, but in the only way a working class girl could. So only wealth is allowed to call itself precocious. Is the game fixed?
I didn’t take piano lessons because my parents would never have been able to afford them. As a kid, I would collect sounds on tapes and try to make them work. I would also of course record my voice. You use whatever you can. So it is back to that public enemy scenario....is Mozart a prodigy because his father was a court composer who had his son play as a toddler and his father was the one doing the annotation? I love Mozart, but don't believe he was composing at three. Mozart's father would have made sure any child born to him was declared a prodigy. Except of course if she was a girl. Then you have the Shakespeare's Sister scenario.
Growing up I heard people that made the seed grow, like Tim Buckley and Bobby Darin, but it was always there inside me. I have my own stories to tell, I am not a parrot. If I sing completely out of key, if I have a cold, whatever, I believe in preserving that integrity. Of course my production values would make someone like Red One run for the hills with horror. That is why I love it. It is Punk 2.0 on Web 2.0. I hear the drum beats of the future and I feel people want their humanity embraced. Dark and light.
Labels:
Bette Davis,
Brecht,
Germany,
John Dillinger,
Lady Gaga,
Lotte Lenya,
Marlon Brando,
the Godfather,
Weill
Friday, November 20, 2009
I Have A Sentimental Weakness
Greetings one and all, ……
Well, the release of the album coincidences (10/23/09 for US, 23.10.09 for those lovely Europeans) with many major corporate label releases, or should I say those old albums where filler has been tacked on at the end in the hopes of upping sales around the holiday season.
I have a sentimental weakness for "The Godfather" movies and used to dream my father was Vito Corleone, so he could make some people offers they couldn't refuse. Like help me with
a tad more exposure on the music scene. Listen to my opinions about those that were only in it for the money, and discuss
with me my impressions with confidence and respect. But I always would pretend that Daddy Vito wouldn't use any force in my scenarios, and that Tattaglia business was something that escaped my memory cells ...I just
thought of the luxury of being the model daughter to ol' Vito. "I mean, Daddy Vito", I would say in my sweetest voice, "you said it yourself, a man is not a man if he does not spend time with his family. So I would hope you would give your little girl some attention." Of course he couldn't resist.
(Cue nauseatingly emotional Soap Opera music) But, sniff, I am just a wee lass who has no powerful connections. Also, I am a goofy real person who strangely prefers a high degree of privacy in this age which espouses the opposite. Music is first to me, not an image. I have always admired those who can bypass the mainstream media junk and their anointing of people as talented or not and do things on their own terms.
I will remain 2.0; every media will eventually be forced to see that the Web is the conduit for the new era. I appreciate being on Web exclusive entities: Podcasts, etc. With open arms I welcome common thinkers, but would never do an interview with a mainstream organization. And yes, in this weird world of ours someone like me was asked. Once.
But I do get some questions sent my way, especially at http://www.bettedillinger.com/. But I am not overwhelmed by any means with concerns, so I truly enjoy the interaction. So think about "Assassin's Hand" after you see the new website in all its glory on the 23rd, and thanks for taking some interest! I wanted to write "We Won't Get Fooled Again", but in this era it seems like that is all that is trying to be done.
I truly hope this age in music will change. All this comparison of Dollar Store American Idol peeps to people like David Bowie (!) makes me enraged. But on the positive side, I see this is the coming of a new age. You have instant access to more music than ever; these dodgy comparisons make the desperation of antiquated music execs rather amusing.
I have been pondering the viability of streaming video. Certainly I would love to be a performer that
is accepted as Web based, but I am very cynical about who controls things in this world.
Very cynical. I do get responses, but sometimes I think 400 years from now some person will trip over my studio after the last nuclear holocaust and say : “Jenda! Get a load of this crazy broad.”
Well, the release of the album coincidences (10/23/09 for US, 23.10.09 for those lovely Europeans) with many major corporate label releases, or should I say those old albums where filler has been tacked on at the end in the hopes of upping sales around the holiday season.
I have a sentimental weakness for "The Godfather" movies and used to dream my father was Vito Corleone, so he could make some people offers they couldn't refuse. Like help me with
a tad more exposure on the music scene. Listen to my opinions about those that were only in it for the money, and discuss
with me my impressions with confidence and respect. But I always would pretend that Daddy Vito wouldn't use any force in my scenarios, and that Tattaglia business was something that escaped my memory cells ...I just
thought of the luxury of being the model daughter to ol' Vito. "I mean, Daddy Vito", I would say in my sweetest voice, "you said it yourself, a man is not a man if he does not spend time with his family. So I would hope you would give your little girl some attention." Of course he couldn't resist.
(Cue nauseatingly emotional Soap Opera music) But, sniff, I am just a wee lass who has no powerful connections. Also, I am a goofy real person who strangely prefers a high degree of privacy in this age which espouses the opposite. Music is first to me, not an image. I have always admired those who can bypass the mainstream media junk and their anointing of people as talented or not and do things on their own terms.
I will remain 2.0; every media will eventually be forced to see that the Web is the conduit for the new era. I appreciate being on Web exclusive entities: Podcasts, etc. With open arms I welcome common thinkers, but would never do an interview with a mainstream organization. And yes, in this weird world of ours someone like me was asked. Once.
But I do get some questions sent my way, especially at http://www.bettedillinger.com/. But I am not overwhelmed by any means with concerns, so I truly enjoy the interaction. So think about "Assassin's Hand" after you see the new website in all its glory on the 23rd, and thanks for taking some interest! I wanted to write "We Won't Get Fooled Again", but in this era it seems like that is all that is trying to be done.
I truly hope this age in music will change. All this comparison of Dollar Store American Idol peeps to people like David Bowie (!) makes me enraged. But on the positive side, I see this is the coming of a new age. You have instant access to more music than ever; these dodgy comparisons make the desperation of antiquated music execs rather amusing.
I have been pondering the viability of streaming video. Certainly I would love to be a performer that
is accepted as Web based, but I am very cynical about who controls things in this world.
Very cynical. I do get responses, but sometimes I think 400 years from now some person will trip over my studio after the last nuclear holocaust and say : “Jenda! Get a load of this crazy broad.”
Tuesday, November 17, 2009
Sign up to be a "fan" or listener and get a free listen to "Assassin's Hand"; out on the 23rd of Nov. The website changes then too. Naw, you want to buy a Lady Gaga song, eh? ;)
http://ping.fm/RhRbC
http://ping.fm/RhRbC
Sunday, November 8, 2009
Alice
Well, mon freres (I watched the great "Omega Man" this weekend and can't get the leader of the cult's voice out of my head: "OH BROTHERS!" Check it out....70s Apocalyptic Nirvana)........the time of my new album draws neigh. It will be released on the 23 of November, but you can groove for free on two singles that are all over the net. Check last.fm....or contact me!
Anyway, since the website is being updated too, and will be looking different to reflect the mood of "Assassin's Hand", I was going through some of what influenced this album and my trusty web designer said "Hey, Bette, you're from Detroit....look at this site...the album...pretty dark...you MUST like SOME Alice Cooper."
Now at first, I looked at my dear comrade in confusion. Alice freaking Cooper???Sure, we both explore dark material, but I am not a rawker touring with Lita Ford, like Mr Cooper is this year. But I took a spin on the video site of the web and found the brilliant "Is It My Body" by Alice Cooper when he was part of a band. By the way, the band was fantastic as well.
So, in some ways Alice Cooper still haunts Detroit, and he now haunts me. He still is considered one of the pillars of rawk here, but he is a "classic rawker" that I never gave much quarter to......and I never really paid much attention to until seeing this video I mentioned. It is Alice Cooper at his rawest, with an uncanny ability to evoke fear, interest, excitement, and outright awe. I used to get rather annoyed when people would compare Bowie with Alice Cooper....but damn, I see it now!
After watching the video I watched a video of Alice getting a pie in the face from Soupy Sales. He knew early he had to treat everything as theatre that he was not too great to partake in....
Now we have corporate drones made up to look like "shock rockers" and "monsters". The huge difference is that Alice Cooper made some fine music. I love his quote: "A rock show with props but without real music is a puppet show."
Amen, Alice. You have won a new fan.
Alice Cooper "Is It My Body" (1971):
http://www.youtube.com/watch?v=QRHFIVJtqpc
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